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                  <text>International Studies - Interdisciplinary Political and Cultural Journal       </text>
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e-ISSN: 2300-8695</text>
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                <text>Milewska-Pindor, Nadina</text>
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                <text>This article presents a short history of the origin and creation of the Almanac “Women and Russia,” which began as a samizdat underground publication devoted to the problem of women and childrearing in the USSR. The idea for creating such an Almanac originated in the mid 1970s in the Leningrad circle of ‘unofficial culture’, at the initiative of the artist Tatyana Mamonova, religious philosopher Tatyana Goricheva, and the women author Natasha Malachovska. The women writers featured in the first edition of the Almanac addressed not only questions about the social conditions prevailing in the USSR, but above all exposed the consequences for women living and functioning ina patriarchal social order, and ironically one where all the questions concerning ‘women’s rights’ were deemed to have been resolved in a progressive fashion much earlier. Not only is the substance of the Almanac important, but the circumstances surrounding its publication and the subsequent consequences related to its publishing also reveal the state of the ‘women’s movement’ in the USSR of that time. These include the reactions of the representatives of the dissident culture, the interventions of the security apparatus and the attendant repression of the women activists and its effect on their lives, and the support of feminist organizations from abroad. Each of the afore-mentioned reactions and consequences became an element of and shaped the everyday lives of the activists involved in the creation of the Almanac. The events related in this work confirm the opinion of those researchers who consider that the publication of the Almanac marked the beginning of the resurrection of the feminist movement in Russia.</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6862</text>
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                <text>eng</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6862/6438</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 15 No. 1 (2013); 5-20</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 15 Nr 1 (2013); 5-20</text>
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              <elementText elementTextId="70433">
                <text>2300-8695</text>
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                <text>1641-4233</text>
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                <text>Almanac “Women and Russia”</text>
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                <text>feminist movement in Soviet Russia</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Almanac “Woman and Russia” and the Soviet Feminist Movement at the end of the 1970s</text>
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e-ISSN: 2300-8695</text>
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              <elementText elementTextId="70399">
                <text>Wing Bo Tso, Anna</text>
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                <text>Cross-dressing, as a cultural practice, suggests gender ambiguity and allows freedom of self expression. Yet, it may also serve to reaffirm ideological stereotypes and the binary distinctions between male and female, masculine and feminine, homosexual and heterosexual. To explore the nature and function of cross-dressing in Chinese and Western cultures, this paper analyzes the portrayals of cross-dressing heroines in two Chinese stories:《木蘭辭》 The Ballad of Mulan (500–600 A.D.), and 《梁山伯與祝英台》The Butterfly Lovers (850–880 A.D.). Distorted representations in the English translated texts are also explored.</text>
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              <elementText elementTextId="70403">
                <text>https://czasopisma.uni.lodz.pl/international/article/view/6786</text>
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                <text>10.2478/ipcj-2014-0008</text>
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                <text>eng</text>
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                <text>Lodz University Press</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6786/6377</text>
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                <text>http://creativecommons.org/licenses/by-nc-nd/4.0</text>
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              <elementText elementTextId="70409">
                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 111-124</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 16 Nr 1 (2014); 111-124</text>
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            <name>Subject</name>
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                <text>Female cross-dressing</text>
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                <text>gender role</text>
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                <text>patriarchal hegemony</text>
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            <name>Title</name>
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                <text>Female Cross-Dressing in Chinese Literature Classics and their English Versions</text>
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e-ISSN: 2300-8695</text>
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                <text>Serrano González, Raquel</text>
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                <text>Martínez-García, Laura</text>
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                <text>Despite the shifting ideologies of gender of the seventeenth century, the arrival of the first actresses caused deep social anxiety: theatre gave women a voice to air grievances and to contest, through their own bodies, traditional gender roles. This paper studies two of the best-known actresses, Nell Gwyn and Anne Bracegirdle, and the different public personae they created to negotiate their presence in this all—male world. In spite of their differing strategies, both women gained fame and profit in the male—dominated theatrical marketplace, confirming them as the ultimate “gender benders,” who appropriated the male role of family’s supporter and bread-winner.</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6785</text>
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                <text>10.2478/ipcj-2014-0007</text>
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                <text>eng</text>
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                <text>Lodz University Press</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6785/6376</text>
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              <elementText elementTextId="70385">
                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 97-110</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 16 Nr 1 (2014); 97-110</text>
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            <name>Subject</name>
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                <text>Actresses</text>
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                <text>Restoration</text>
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                <text>Bracegirdle</text>
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                <text>Gwyn</text>
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                <text>gender notions</text>
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                <text>deployment of alliance</text>
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                <text>deployment of sexuality</text>
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                <text>How to Represent Female Identity on the Restoration Stage: Actresses (Self) Fashioning</text>
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e-ISSN: 2300-8695</text>
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              <elementText elementTextId="70353">
                <text>Pérez Zapata, Beatriz</text>
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                <text>Zadie Smith’s latest novel, NW, presents a multiverse in chich multiplicity is driven into homogeneization by the forces of those dominant discourses that attempt to suppress the category of the “Other.” This paper focuses on the development of the two female protagonists. Their opposing attitudes towards motherhood, together with their confrontation with their origins, bring to the fore the performativity found in the discourses of gender, sexuality, class, and race. Thus, this paper will explore authenticity and performativity in a contemporary context, where patriarchal and neocolonial discourses still apply.</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 83-95</text>
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                <text>‘In Drag’: Performativity and Authenticity in Zadie Smith’s "NW"</text>
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                <text>Sarnou, Dalal</text>
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                <text>“It is important to stress that a variety of positions with respect to feminism, nation, religion and identity are to be found in Anglophone Arab women’s writings. This being the case, it is doubtful whether, in discussing this literary production, much mileage is to be extracted from over emphasis of the notion of its being a conduit of ‘Third World subaltern women.’” (Nash 35) Building on Geoffrey Nash’s statement and reflecting on Deleuze and Guattari’s conceptualization of minor literature and Gloria Anzaldua’s Borderland(s), we will discuss in this paper how the writings of Arab Anglophone women are specific minor and borderland narratives within minor literature(s) through a tentative (re)localization of Arab women’s English literature into distinct and various categories. By referring to various bestselling English works produced by Arab British and Arab American women authors, our aim is to establish a New taxonomy that may fit the specificity of these works.</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 65-81</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 16 Nr 1 (2014); 65-81</text>
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                <text>Arab Anglophone literature</text>
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                <text>Narratives of Arab Anglophone Women and the Articulation of a Major Discourse in a Minor Literature</text>
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                <text>Urbisz Golkowska, Krystyna</text>
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                <text>The dramatic transformation of the Arabian Gulf since the Discovery of petroleum resources has called for a new perspective on the situation of women in the region. Qatar is an example of fast-paced industrialization, modernization and profound socio-cultural changes. As the environment transforms literally from day to day, new identities are being forged and social roles renegotiated. The leadership’s vision for the country speaks of gender equality and opportunity for all. This article asks how young Qatari women’s personal stores fit into the national narrative of change and what they see as the best path to agency and empowerment.</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6778</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 51-64</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 16 Nr 1 (2014); 51-64</text>
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                <text>Arab women</text>
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                <text>stereotypes</text>
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                <text>Arab Women in the Gulf and the Narrative of Change: the Case of Qatar</text>
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                <text>This article explores Leila Ahmed’s A Border Passage, and Nawal El Saadawi’s Memoirs from the Women’s Prison, A Daughter of Isis, and Walking Through Fire. It contrasts their works and argues that location and genderawareness play an important role in the writing of autobiographies. The focus is on showing how El Saadawi’s positioning as a feminist activist in Egypt and Ahmed’s location in the USA determine the texts’ themes and shape the construction of the autobiographical “I.”</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 35-50</text>
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                <text>The Politics of Location and Sexuality in Leila Ahmed’s and Nawal El Saadawi’s Life Narratives</text>
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                <text>By applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war.</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 21-33</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 16 Nr 1 (2014); 21-33</text>
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                <text>Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi</text>
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                <text>Annus, Irén</text>
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                <text>Starting with a debate in September 2012 on the incorporation of domestic violence as a distinct offence in Hungary’s new Criminal Code, the issue of gender and proper womanhood has regularly re-surfaced in statements made by ruling coalition MPs in parliamentary debates. Drawing on discourse analysis, this study investigates a selection of these statements in the context of the government’s current policy and public discourse. The paper argues that these discourses outline an essentialist model reflective of a dominant ideology that is traditional, Christian, patriarchal and heteronormative, which, by hinting at women’s accountability for certain social ills, also allows for a chain of associations that ultimately results in the subversion of the overall social status of women, dividing and marginalising them further and discrediting any claims or actions aimed at establishing a more egalitarian society in the country.</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6561</text>
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                <text>10.2478/ipcj-2014-0001</text>
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                <text>eng</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6561/6154</text>
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                <text>http://creativecommons.org/licenses/by-nc-nd/4.0</text>
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              <elementText elementTextId="70244">
                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 16 No. 1 (2014); 5-20</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 16 Nr 1 (2014); 5-20</text>
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                <text>Hungary</text>
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                <text>political discourse</text>
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                <text>FIDESZ-KDNP coalition</text>
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                <text>gender hierarchy</text>
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                <text>proper womanhood</text>
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                <text>motherhood</text>
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                <text>The Ruling Discourse on Proper Womanhood in the Hungarian Parliament</text>
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                <text>Prezelj, Iztok</text>
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                <text>Changes in security environment after the end of Cold War and 9/11 have strongly affected our security concepts and paradigms. In the field of counter-terrorism, a serious conceptual and practical debate on the relationship between security and human rights and freedoms has begun. The goal of this paper is to reflect on this complex relationship at the conceptual level and introduce the empirical debate on this relationship in the field of civil aviation (case of introducing body scanners). The paper’s results show that the concept of human security usefully integrates the care for human rights and security of individuals. The debate on the potential introduction of body scanners on the European airports was actually a debate on the ways of providing individual human security on the airports with simultaneous concern for other human rights. The output of this debate was a compromise: body scanners can be used at the discretion of individual airports and member states, but are not an obligatory measure on all European airports.</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6524</text>
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                <text>10.1515/ipcj-2015-0010</text>
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                <text>Lodz University Press</text>
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                <text>https://czasopisma.uni.lodz.pl/international/article/view/6524/6125</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Vol. 17 No. 1 (2015): Varieties of Contemporary Radical Politics; 145-158</text>
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                <text>International Studies. Interdisciplinary Political and Cultural Journal; Tom 17 Nr 1 (2015): Varieties of Contemporary Radical Politics; 145-158</text>
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                <text>2300-8695</text>
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                <text>counter-terrorism</text>
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                <text>human rights</text>
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                <text>balance</text>
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                <text>civil aviation</text>
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                <text>Relationship between Security and Human Rights in Counter-Terrorism: A Case of Introducing Body Scanners in Civil Aviation</text>
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