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                <text>Mathew, Babu</text>
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                <text>The Industrial Relations law in any country are the result of the constant interaction and interrelationship among labour, capital, the state and the economy. This paper is an attempt to trace the evolution of the same in India. The author charts the course of the Industrial Disputes Act in a three-stage periodisation: the Colonial Phase, the Post-Colonial Phase, and the Post-Liberalisation Phase. In the Colonial Phase, the Indian labour policy was dictated by the interest of the Colonial Capital. Even though the policy has evolved over the years, in the Post-Liberalisation Phase, it continues to be dictated, more than ever, by the foreign interest, perhaps through different dynamics, more subtle and forceful.</text>
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                <text>Copyright (c) 2021 Artha Journal of Social Sciences</text>
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                <text>Artha Journal of Social Sciences; Vol. 1 No. 1 (2002): Artha Journal of Social Sciences; 1-9</text>
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                <text>The Political-Economy Of Industrial Relations Law in India</text>
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                <text>Kannan, S</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/1765</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/1765/1512</text>
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                <text>Artha Journal of Social Sciences; Vol. 16 No. 3 (2017): Artha Journal of Social Sciences; v-vi</text>
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                <text>Editorial</text>
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                <text>S, Shantharaju</text>
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                <text>As the fourth pillar of democratic governments, media has a significant influence in the formation of general conclusions among the masses. The bull has stomped its way into featured news story in Tamil Nadu several times in the last decade. From the time that people of Tamil Nadu prepared to celebrate Pongal in 2017, a large number of individuals from different urban communities of the state came together in open spaces, such as coastal areas and playgrounds, challenging a Supreme Court directive prohibiting the essentially provincial spectacle of Jallikattu. Convenient conclusions have frequently been drawn with regard to debilitating injuries and even deaths. The ‘game’ has never been directed by anyone with precise control. The present paper is an attempt to understand how a section of media, mostly newspapers, portrayed this sensitive issue. The review conducts a comparison between one English daily and one vernacular daily, both covering the Chennai locale in Tamil Nadu and attempts to examine the stand taken by print media in the projection of Jallikattu.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/1766</text>
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                <text>10.12724/ajss.42.1</text>
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                <text>Artha Journal of Social Sciences; Vol. 16 No. 3 (2017): Artha Journal of Social Sciences; 1-15</text>
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                <text>The Jallikattu Fiasco: Week Long Protest against the Ban Enforced and the Role Played by Print Media</text>
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                <text>Cinema has played a role in caste politics in India. Its role ranges from special arrangement to consume the film to working in films based on caste based demarcated jobs. Films have always been in a constant struggle to eradicate eas well as to maintain the boundaries between the dominant and the dominated. Clothing is one such element which acts to represent the formation of a community’s image in people’s minds. The representation politics with the fabric worn in films becomes the clash between dress codes. These are symbolic conflicts played on the screen between social and cultural norms that possess the potential to alter identity and its structures of reality. This paper will be dealing with the analysis of three films by Pa. Ranjith: Attakathi (Cardboard Knife)(2012), Madras(2014) and Kabali(2016); to understand the representational politics involving the Dalit community with the help of costumes that the characters adorn in the films. Semiotics as an approach has been applied to understand the representation of Dalit identity reflected through clothing practices.</text>
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                <text>Artha Journal of Social Sciences; Vol. 16 No. 3 (2017): Artha Journal of Social Sciences; 17-37</text>
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                <text>Fabric-Rendered Identity: A Study of Dalit Representation in Pa. Ranjith’s Attakathi, Madras and Kabali</text>
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                <text>Television has altered the way news is constructed and delivered. Due to competition and TRP, television news channels are experimenting with different techniques to attract attention and reach audiences. Reconstruction with the help of graphics and animation along with docudramas has become quite common in various kinds of television programs. From hard to soft news story-telling television channels have adopted different patterns of visual construction to make an emotional appeal to the audience. Media theories have established the power of visual media in the common man’s life. The present study focuses on the trend related to visual reconstruction of reality in storytelling among Kannada channels. This qualitative study specifically evaluates the various techniques of visual construction, reasons for visual construction, program patterns which use these practices significantly and investigates the influence of visual construction in storytelling. The content of Kannada television programs is evaluated in order to gather primary data. The programs that use visual construction regularly and news items which depend on visual construction have been selected for analysis.</text>
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                <text>Artha Journal of Social Sciences; Vol. 16 No. 3 (2017): Artha Journal of Social Sciences; 39-47</text>
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                <text>Reconstruction and Presentation of Reality on Television: An Analytical Study of Kannada Channels</text>
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                <text>The use of emoticons in different forms such as text-based, computer-mediated and Instant Messaging services is ever increasing. Emoticons which evolved decades ago, was basically used to represent emotion. With the advent of technology, emoticons have been graphically/digitally transformed and evolved in the way people look and for what they are used for. With a wide array of emoticons at disposal, these emoticons are used for expressing emotions and also numerous activities and phrases. The usage of emoticons, their perception and interpretation varies from person to person. The study reveals that majority believe that emoticons make conversations more interactive, enhance online message communication and generate the required response from the receiver. The study also showed that over majority of the respondents look at both eye and mouth of emoticons for facial emotion recognition.</text>
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                <text>Artha Journal of Social Sciences; Vol. 16 No. 3 (2017): Artha Journal of Social Sciences; 49-68</text>
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                <text>P John Joseph Kennedy (Edr), Minority Discourses in India: Narrating Centres and Peripheries, Viva Books Private Limited, New Delhi, 2017, pp. 94, ISBN 978-81-309-3409-9</text>
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                <text>Artha Journal of Social Sciences; Vol. 16 No. 3 (2017): Artha Journal of Social Sciences; 69-72</text>
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                <text>Kukkaje, Mythri</text>
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                <text>Historically, researchers have studied violence against women through varied lines of enquiry. The literature on the understanding of the phenomenon of violence against women can be broadly classified into two categories: a) studies that examine distinct risk factors and b) studies that propose theoretical frameworks to explain the underlying process that leads to violence. The present study reviews the prominent factors and theories associated with violence against women with reference to perpetrators, specifically, men.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/1944</text>
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                <text>10.12724/ajss.48.1</text>
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                <text>Copyright (c) 2019 Artha - Journal of Social Sciences</text>
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                <text>Artha Journal of Social Sciences; Vol. 18 No. 1 (2019): Artha Journal of Social Sciences; 1-12</text>
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                <text>men perpetrators</text>
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                <text>In the employment market, hiring processes in the organisations are often considered to perpetuate gender equality. The discrimination prevails through implicit and in-group biases. During hiring decisions, marked gender differences in the hiring standards continue to exist for women and men. Counter balancing attempts, such as demonstrating agentic behaviour seem to have been unfavourable in receiving appreciations. Factors like „accumulation of advantage‟, „physical attractiveness‟ and so forth adds to the „threat‟ for the woman candidate. The article proposes that sustained and concrete processes need to be ensured that would defuse gender stereotyping, the latter being an outcome of the human tendency to carve the world into in-group and out-group. Two methods to neutralise gender biases while hiring are recommended in the concluding section.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/1945</text>
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                <text>Centre for Publications, CHRIST (Deemed to be University), Bangalore</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/1945/1618</text>
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                <text>Copyright (c) 2019 Artha - Journal of Social Sciences</text>
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                <text>Artha Journal of Social Sciences; Vol. 18 No. 1 (2019): Artha Journal of Social Sciences; 13-21</text>
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                <text>Gender Bias</text>
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                <text>Hiring Policy</text>
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                <text>Gender Bias, Hiring Policy, Gender Stereotyping, Employment Market</text>
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                <text>Gender Biases and Discrimination while Hiring</text>
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                <text>Radhakrishnan, Ragitha</text>
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                <text>Gender Disparity is a universal phenomenon. The effect is more evident in an organisational setup. Two common forms of gender disparity are sticky floor effect and glass ceiling effect. Glass ceiling effect refers to the barriers that prevent women from progressing to the higher positions in the organisations. It can lead to differences in pay and may prevent women from climbing up the career ladder. The barriers may be psychological, social or organisational. The paper discusses the presence of glass ceiling across different cultures and its implications.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/1946</text>
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                <text>Artha Journal of Social Sciences; Vol. 18 No. 1 (2019): Artha Journal of Social Sciences; 23-30</text>
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                <text>0000-0000</text>
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                <text>0975-329X</text>
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                <text>Glass Ceiling effect</text>
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                <text>Gendered Hiring Protocols</text>
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                <text>Cultural Variations in the Glass Ceiling Effect: A Review</text>
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