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                <text>Nair, Parvathy</text>
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                <text>Social media platforms have become an integral part of society, serving to connect individuals across the world and making the world a globalised place. The development of self-esteem in today’s world has been hypothesised as being closely linked to social media, especially for young teenagers. To a large extent, self- esteem is derived from formal and informal associations that we engage in and social media has become an alternate for both forms of association. For many individuals, establishing and maintaining a virtual identity takes on a priority, one that can be understood from a psychodynamic perspective. Jung’s concept of the persona and Roger’s concept of the ideal self can both be utilised to understand an individual’s growing dependence on social media and the consequent influence it has for the human psyche. Without realising the illusion that is portrayed, most fall prey to making upward comparisons with their peers and others. Thus, for those in their adolescence, without the required maturity, social media can become a lethal weapon that appears to reinforce negative perceptions about the self.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2559</text>
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                <text>10.12724.ajss.52.1</text>
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                <text>Centre for Publications, CHRIST (Deemed to be University), Bangalore</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2559/1784</text>
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                <text>Copyright (c) 2020 Artha Journal of Social Sciences</text>
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                <text>http://creativecommons.org/licenses/by-nc/4.0</text>
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                <text>Artha Journal of Social Sciences; Vol. 19 No. 1 (2020): Artha Journal of Social Sciences; 1-7</text>
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                <text>Social media</text>
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                <text>Self-esteem</text>
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                <text>Psychodynamic Processes</text>
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                <text>Understanding the Complex Relationship between Social Media and Self-Esteem</text>
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                <text>Balammal, Aruna</text>
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                <text>The article aims to examine the effectiveness of art therapy to maintain mental health. It is popularly believed that emotional catharsis in the form of art enhances positive mood, brings clarity to one's cognition, and so on. The study uses qualitative data obtained from open-ended and moderately structured interviews conducted among artists. The artists whose arts reflected originality rather than an imitation of a visible target such as portrait drawing are chosen for the study. The group is a mix of professional artists and self-taught artists. The study finds that the art therapy technique helps artists to communicate their thoughts, desires, and contentious emotions in a manner which is socially acceptable. The study says art helps people build self-esteem, bring positivity and self-confidence. Self-esteem, self-confidence and authentic identity are prerequisites for not only healthy performance and high productivity in organisations but also for becoming a fully functioning individual.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2565</text>
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                <text>10.12724.ajss.52.2</text>
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                <text>Centre for Publications, CHRIST (Deemed to be University), Bangalore</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2565/1785</text>
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                <text>Copyright (c) 2020 Artha Journal of Social Sciences</text>
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                <text>http://creativecommons.org/licenses/by-nc/4.0</text>
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                <text>Artha Journal of Social Sciences; Vol. 19 No. 1 (2020): Artha Journal of Social Sciences; 9 - 25</text>
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                <text>0000-0000</text>
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                <text>0975-329X</text>
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            <name>Subject</name>
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                <text>Art therapy</text>
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                <text>Self-esteem</text>
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                <text>Well-being</text>
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                <text>Mental health</text>
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                <text>Art Creation and the Mental Health: A Qualitative Study among Artists</text>
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                <text>Jacob, Juslin</text>
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                <text>The study investigates the difference in the Locus of Control and Resilience with respect to different levels of Internet Addiction as well as their impact on Internet Addiction among emerging adults. It assesses Internet Addiction levels, investigates the association between Internet Addiction, Locus of Control and Resilience and analyses gender difference. Internet Addiction Test by Young, Locus of Control (LOC-Scale) Scale developed by Rotter (1966) and The Brief Resilience Scale were used. Pearson’s product-moment correlation analysis was used to evaluate the association between Internet Addiction, Locus of Control and Resilience. An independent t-test was used to test whether there is a statistical difference between gender and internet addiction at different levels. One-way ANOVA was used to investigate the gender difference in Internet Addiction, Locus of Control and Resilience respectively. The research findings show that there is a significant relationship between Internet Addiction, Locus of Control and Resilience as well as significant gender difference in Internet Addiction. A significant difference in Resilience among the different levels of Internet Addiction was also found in the study.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2566</text>
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                <text>10.12724/ajss.52.3</text>
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                <text>eng</text>
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                <text>Centre for Publications, CHRIST (Deemed to be University), Bangalore</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2566/1793</text>
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                <text>Copyright (c) 2020 Artha Journal of Social Sciences</text>
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                <text>http://creativecommons.org/licenses/by-nc/4.0</text>
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                <text>Artha Journal of Social Sciences; Vol. 19 No. 1 (2020): Artha Journal of Social Sciences; 27 - 45</text>
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                <text>0000-0000</text>
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                <text>Internet Addiction</text>
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                <text>Locus of Control</text>
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                <text>emerging adults</text>
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                <text>Resilience</text>
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                <text>Internet Addiction, Locus of Control and Resilience</text>
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                <text>Torres, Patricia Elizabeth Cossio</text>
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                <text>Mental Health is a determinant of reproductive mortality and morbidity especially in the developing regions of the world with reproductive health problems. The right to sexual and reproductive health has been enunciated by the United Nations as a goal to be achieved by 2030. However, indigenous women are the most vulnerable population because of the conditions that surround them. A cross-sectional quantitative study was done in the indigenous communities of Mexico to know the resilience and reproductive health diagnosis. A Mexican Resilience Scale, gynaeco-obstetrical clinical history and a reproductive health survey were applied. A total of 180 women participated from which 34.6% and 61.4% of the women used a form of birth control method in their first and last sexual intercourse, respectively. There were statistically significant differences between the three attitudes among reproductive health and the highest levels of resilience (p&amp;lt;0.05). Resilience was seen to have a positive influence on the attitude of indigenous women, reducing the vulnerability among reproductive health.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2567</text>
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                <text>10.12724/ajss.52.4</text>
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                <text>Artha Journal of Social Sciences; Vol. 19 No. 1 (2020): Artha Journal of Social Sciences; 67 - 76</text>
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                <text>This research aims to gain insight into the incorporation of indigenous worldviews on mental health. Unstructured interviews were used on 16 counsellors who practised in Bangalore following the phenomenological paradigm. The interviews were audio- recorded and transcribed following which it underwent the 4 stages in Giorgi’s method. The revelatory themes obtained from this study were that clients viewed counsellors as authority figures, they experienced shame and guilt, lack of social support, ostracism, isolation, faced language barriers, feared diagnosis and medication and so on. The main conduit of religion and culture, the family, is influenced by class, education, rural or urban origin, joint or nuclear setup and so on. Counsellors developed the skills and sensitivity to respond to these demands.</text>
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                <text>10.12724/ajss.52.6</text>
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                <text>Centre for Publications, CHRIST (Deemed to be University), Bangalore</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2570/1796</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="9743">
                <text>Copyright (c) 2020 Artha Journal of Social Sciences</text>
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              <elementText elementTextId="9744">
                <text>http://creativecommons.org/licenses/by-nc/4.0</text>
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              <elementText elementTextId="9745">
                <text>Artha Journal of Social Sciences; Vol. 19 No. 1 (2020): Artha Journal of Social Sciences; 77 - 89</text>
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                <text>0000-0000</text>
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                <text>0975-329X</text>
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              <elementText elementTextId="9748">
                <text>Counsellors</text>
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                <text>Indigenous Worldviews</text>
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                <text>Psychotherapeutic Praxis in India: Incorporation and Application of Indigenous Worldviews</text>
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              <elementText elementTextId="9756">
                <text>Thomas, Rosamma</text>
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                <text>This paper is an historical auto-ethnographic account by a middle aged journalist who has worked in the English language media in India for about 20 years. English language media staff is among the best paid in the country. Even so, work conditions are far from ideal, and the pandemic this year has rendered several journalists jobless. This is a personal account of one career trajectory that spans book publishing, work on national radio, newspapers and a news agency. Growth prospects are curtailed for women in the news media; one boss at the Times of India¸ India’s largest English daily, told the author that her “body language” betrayed a lack of interest in work.
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              <elementText elementTextId="9765">
                <text>Copyright (c) 2020 Artha Journal of Social Sciences</text>
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                <text>Artha Journal of Social Sciences; Vol. 19 No. 3 (2020): Artha Journal of Social Sciences; 61-70</text>
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                <text>Journalism</text>
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                <text>labour</text>
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                <text>newspaper</text>
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                <text>Sonia Tez Bahadur, Rana</text>
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                <text>The democratic transition of Bhutan is often romanticised in popular media through utopian projection of Gross National Happiness. While it is glorified for its top-down democratisation, it has a flip side with no effective opposition either from the parties or the people. Adhering to the democracy as tailored by the King is viewed by the Bhutanese as a gift to live by without questioning or even criticising. This has largely to do with the policies long adopted by the Bhutanese Royals to develop a strong sense of national loyalty that does not bespoke of any form of opposition. Accordingly in an age of globalisation where people in most democracies vociferously voice their opinions even on the social media platforms, a quiet adherence to government rules and policies in Bhutan gives a mystified picture. A demystification of this phenomenon perhaps lies in the study of the political culture of Bhutan which is unlike that of other democratic countries. Political culture implies the system of beliefs and values that the people have towards their political system. It denotes the emotional attitudinal environment within which the political system operates. Accordingly, the paper will examine the political culture of Bhutan so as to give an insight into its process of democratic transition and functioning. It will attempt to understand the Bhutanese political culture to analyse the danger of inaccurate conclusions based on misconceptions not entirely true to Bhutan’s reality. This article is written with the support of the ICSSR postdoctoral fellowship programme (2018-2019) on ‘Democracy and Nationalism in Bhutan: Challenges and Prospects’.</text>
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                <text>Artha Journal of Social Sciences; Vol. 21 No. 2 (2022): Artha Journal of Social Sciences</text>
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                <text>Political Culture</text>
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                <text>Political Culture and Democracy in Bhutan: An Insight</text>
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                <text>Rangaswamy, Madhavi</text>
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                <text>Koushik, Kailash</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2706</text>
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              <elementText elementTextId="9811">
                <text>10.12724/ajss.54.0</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2706/1823</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9815">
                <text>Copyright (c) 2020 Artha Journal of Social Sciences</text>
              </elementText>
              <elementText elementTextId="9816">
                <text>http://creativecommons.org/licenses/by-nc/4.0</text>
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                <text>Artha Journal of Social Sciences; Vol. 19 No. 3 (2020): Artha Journal of Social Sciences; v-ix</text>
              </elementText>
              <elementText elementTextId="9818">
                <text>0000-0000</text>
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              <elementText elementTextId="9819">
                <text>0975-329X</text>
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            <description>The topic of the resource</description>
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                <text>Media Labour</text>
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              <elementText elementTextId="9821">
                <text>Pandemic</text>
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                <text>Non-refereed Editorial</text>
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              <description>A name given to the resource</description>
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                  <text>Artha Journal of Social Sciences</text>
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                <text>Venkatesh, Sithara</text>
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                <text>2020-12-10</text>
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                <text>Reality Television shows that revolve around the lives of children have become popular to audiences of all ages, which is evident in their success across diverse channels and various demographics (Palmer, 2013). With the increase in the number of reality shows and child participants in them, emerges a critical need of questioning the power of those in authority and are in- charge of production over the powerless group (the children) who aren’t of an age to legally possess the right to consent on their work, but have become the primary focus of almost every aspect of media commercialisation. An analysis of the conditions and effects of child participation in reality shows is extremely complex as it is difficult to make a child share his/her experience with others. It is also true that the history of children’s daily experiences are extremely difficult to trace, since children themselves have had little or no access to those public forms of expression (Holland, 2004).
This paper is an autoethnographic study that explores Tamil dance reality television's child artists during the period 2008-2020.The bodily performances of the dance reality television’s child artists and crew are studied by focusing on the intersections of body and space and with them developing in this context the concept of Biopolitics, as advanced by Michel Foucault (1979). The qualitative study covers a sample of 8 dance reality shows in five different Tamil channels with a focus on 12 child artists and how they spend their everyday lives in the shooting sets, rehearsal studios and other media production spaces. The researcher, being an insider in the reality television programmes, as a freelance floor director and coordinator for more than ten years now, provides this paper a significant leverage of the same and uses methods of memory work and self-reflexive writing along with in-depth interviews.</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2707</text>
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              <elementText elementTextId="9831">
                <text>10.12724/ajss.54.5</text>
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                <text>https://journals.christuniversity.in/index.php/artha/article/view/2707/1831</text>
              </elementText>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9835">
                <text>Copyright (c) 2020 Artha Journal of Social Sciences</text>
              </elementText>
              <elementText elementTextId="9836">
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              </elementText>
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              <elementText elementTextId="9837">
                <text>Artha Journal of Social Sciences; Vol. 19 No. 3 (2020): Artha Journal of Social Sciences; 71-92</text>
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                <text>0000-0000</text>
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                <text>0975-329X</text>
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                <text>Autoethnography</text>
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              <elementText elementTextId="9841">
                <text>Child Artist</text>
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                <text>Tamil Television</text>
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                <text>Dance Reality Production</text>
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                <text>Biopolitics</text>
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                <text>An Autoethnography of Child Artists in Tamil Dance Reality Television Production</text>
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